International Business And Finance» Music Archives – International Business And Finance

A Quick Review Of Jamorama

Adam Abeyta — Fri, 09 Apr 2010 09:03:34 +0000

Like other kinds of programs, the market is practically swamped with \”learn how to play guitar\” programs that are available online. The only problem is that you may have to go through a number of them before you find one which works for you.

Some are not as comprehensive as you want your lessons to be while the other are just drop dead boring, opting to just go with the e-book approach.

What I found to be truly unique in Jamorama is that it is pretty interactive in nature. The man behind this course is Ben Edwards.

Being a professional guitarist who has traveled the world with the popular group DegreesK, this is really expected.

What I found to be commendable in Edwards as opposed to different guitarists who have their own courses is that he actually bothered to get his Bachelor\’s Degree in Education so that he could be able to teach all his students the right way.

Edwards has been teaching individuals even before coming up with the course.

The Jamorama is an online course about learning how to play the guitar that uses a multi-faceted approach in teaching individuals by way of an e-book, software, audio and video files as well as several games.

However, this inventive approach may have to cost you more that what you pay for how-to books.

The Jamorama e-book consists of 235 pages of everything that you have to learn about playing the guitar. It is accompanied by 153 video and 400 audio files.

What I found to be commendable with the Jamorama is the way that it reaches out to different learners such as using games for beginners and the comprehensive e-book for the intermediate learners.

Another approach in learning how to play the guitar that Jamorama uses is learning to play by ear.

This is a skill which most professional guitarists often have to acquire which is why Jamorama emphasizes this among its learners. Once you have mastered the trick, you can play along plenty of audio tracks.

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Acoustic Guitar Facts That Be Important To Players

Carl Keller — Wed, 31 Mar 2010 08:03:54 +0000

A beginner while shopping for an acoustic guitar for the first time has to consider a ton of things. She has to come to a decision on the appropriate guitar. Establish inferior ones can save countless headaches, which include finger aches.

The body of an acoustic guitar is created of principally the identical sort of hourglass shape. However in several cases, there are some variations. You see these guitars varying in size, color, design or wood-sort along with additional features.

Some acoustic guitars are so very little that they?ll fit into any mid-size hiking backpack. Like most alternative musical instruments, guitars can have pretty wide price range. But relating to other typical instruments, you?ll get only what you?re paying for – significantly after you are buying new.

There are real variations between finding a discount deal and low cost one. However whether or not a guitar enthusiast buys a replacement or a second hand one, might be determined by tons of private factors, that include budget, and standards on vantages or cons.

But the actual fact here is that when someone buys new, this will award him with a useful warranty. The client may also qualify for a reasonable come back period, providing the acoustic guitar fails to fulfill the standards of the buyer.

In usual situations, second-hand guitars might sometimes be bought cheaper. These guitars have already spent their ?break-in? stage. Guitars that are built commercially are resultants of mass manufacturing.

On the opposite hand ?Custom-created? acoustic guitars are created to order and made to buyers? specifications. Understandably, solely a extremely skillful guitar maker does the job. According to the value of custom-built acoustic guitars, their costs might additionally vary considerably.

It actually all depends on how skilled the crafts person is. But despite all that, custom-built acoustic guitars are pretty much costlier than the ones that are commercially built.

However since custom-designed acoustic guitars are distinctive, it isn?t very rational to check their values with commercially designed guitars.

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Getting Snappy Hip Hop Drum Samples

John Gellei — Tue, 30 Mar 2010 08:00:27 +0000

Why would you want to generate snappy kick and snare drum samples? Well, as we all know, there\’s a serious loudness war going on, and what better way to drown out the competition that have the rhythm track in your songs simply cut through any speaker set or car radio and be instantly recognizable and catchy? With the importance placed upon drum samples and their arrangement and sound, budding music producers pay no attention to this topic at their peril!

Making your own drum samples \’snap\’ is not very hard with a little practice. You can even use free tools, these days. Just search \”free sound editor\” on Google to see a list of results; Audacity is a great one! Using compression and equalization are great to begin with. If your work-flow already includes these, good on you – you have a head start now, so use it wisely. Besides using these effects, you can edit sound waves manually, and in this case you would be looking to alter the sound spikes, accentuating the initial attack manually for your drums.

There are a lot of default sound patches in many of the compressor and EQ (short for equalization) units that help you get started when trying to optimize your drum samples for maximum snap that will add definition to your rhythm track. Using these sample patches can be extremely intuitive for newcomers, as seeing the differences in the visual editor will trigger visual and aural cues that match the settings with the impact on the sound.

Compression is one of those things that you will learn over time. It\’s great for adding some snap to your drum samples for sure, and playing with the settings is very beneficial. You will start to spot patterns and start to notice the changes on the audio based on certain parameters. It is advised that you try a few different compressors, as they each have their own sound. With the subtleties between the different software and hardware, trying the different ones will leave you with a good overall impression of the effect compression has.

When you\’re making notes on the settings you change, try to describe them in plain English – by that, I mean all the effects and the way they change the sound. If you can well and truly comprehend the way that a sound is effected by the different switches and level meters, you will be well-equipped to make real decisions in a studio environment. Keep a sheet that includes the different settings, supposed effects (according to the manual) and perceived effects (the stuff you hear).

As a last tip, you should always try to choose the correct drum samples to start with. If your library is big enough, you really won\’t have that much of a problem, which is a good thing. The less you need to tweak and alter your current selection of samples, the more time you will have making the actual beat. It will be easier for you to translate the rhythm and sound in your into the sequencer and move on to the other instruments and such, so keep expanding your sounds.

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Right Way to use Drum Samples – Hi-Hats

John Gellei — Tue, 30 Mar 2010 07:48:34 +0000

There are so many different-sounding types of hi-hats (or just hats) available today, and the range of drum samples that go along with them is also ever-increasing. Many people, when thinking about their favorite songs of the year, could probably tap out the snare and kick drum samples without thinking, but the hats? That\’s another deal. You see, the hi-hat has resigned itself to be simply a supporting sound, backing up its big brothers, the snare and kick drums. This is not a bad thing, though.

The two \’mistakes\’ of hi-hat hip hop samples we\’re about to look into are no the domain of the beat making novice, but are committed nearly just as much by so-called professionals these days.

The first mistake we will look at concerns the volume of hi-hats. There is definitely a battle of the loud out there, and we try to compress and tighten everything up, but the fact of the matter is we don\’t need to do this for hi-hats. Hats are plenty loud as it is. Many hundreds of thousands of years ago, humans were pray to aerial monsters that let out sounds that share similar frequencies with hi-hats. We have developed a tendency to pick these sounds out quickly, so drop those hi-hat drum samples down a few decibels – your audience will hear them.

A good way to go about combating this incongruity is to mix the hat to the point where you think it sounds just about right, and lower it about two decibels further. Any listener will still be able to pick it up due to our superior perception of this sound, so don\’t worry about \’mixing it out\’ these drum samples.

The second mistake that gets a lot of attention in audiophile circles regarding hi-hat drum samples is the lack of authenticity in songs. If you\’re developing a MIDI track for a rock song and decide to include, say, a 1/16th constant hi-hat pattern throughout every bar, you need to be wary of the possibility of other instruments to play off this constant hit. Your drummer should not be hitting the hi-hat, snare, tom and cymbal all at the same time, as this is practically impossible to achieve with two and even three arms if that came along. So aim for an authentic pattern, especially if you\’re producing rock tracks and other genres where the ability to replicate the sample track in a live setting is a necessity. If, for instance, you\’re making a dance track, the realness can be toned down a bit or completely dismissed, as there is a general acceptance in your listener that this is all made on a drum machine or sequencer. So you can really go wild here and not worry about those rules.

You can learn a great deal using professional drum sequencing sample libraries and sets like EZ Drummer and BFD. These will show you the physical implications and deliver standard and advanced patterns that you can immediately digest and take in mentally, noting what works and what doesn\’t work. Then apply what you learn to your own songs.

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Bars in Drum Samples – Sequencing

John Gellei — Tue, 30 Mar 2010 07:44:13 +0000

The number of bars used when sequencing drum samples can vary quite a lot. Usually, the total number of bars will be equal to the length of the song as a whole, and if you\’re making loops to start with, it can be a bit more complicated.

If you\’re composing a standard loop and want to portray a general outline of your song in a fairly straightforward manner, using four bars should be enough. The theme of the song can be condensed into these four musical bars, and the sample should be able to stand on its own; that is, you should not need surrounding music to really give the sample context. You should also add some variance in the drum samples or instruments, and a popular method is to do this toward the end of the forth bar. Keeping the listener comfortable and yet not sure what comes next is the aim of the game here, so remember that variance is key, even in a measly 4-bar loop.

Sixteen bars is another common loop number, usually because in hip hop, 16 bars is a typical vocal verse length. So if you can develop the 16 bar loop, complete with pre-chorus introduction and an 8 bar switch-up (just an example), you can give a good example of the way the song would be structured. Using drum samples over these 16 bars will give see you test your creative limits, especially if you make a few beats every day. Introducing the hi-hats starting at bar 8, for instance, gives the song a great motion factor.

Looking beyond changes to the drum samples? You can be as creative as you want. A lot of producers will change the harmony as well as the rhythmic aspects around the half-way mark or even after just four bars to kick things off. If you change multiple aspects of the beat, you\’re really telling your listener that things are starting to kick off, and this is a great way to create some energy in your song.

If you really are serious about sequencing and arranging the next smash hit, think outside the box as well. Combine some methods, and utilize the vocals more, don\’t just focus on the drum samples and instrument patches. Your singer could suddenly go from boring and predictable to wild and energetic in a matter of just a single bar. Keep your listener guessing \’til the end!

With all of this on the table, you may be asking, \”so what\’s the easiest way to switch up the music?\” The answer is indeed drum samples. It\’s so easy to change the sequencing here, and your singer does not need to do anything different, and your keyboard player doesn\’t need to come in again to lay down new harmonies for the song. It\’s that easy.

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